The Significance of the Storm in A Tale of Two Cities by...

A Tale of Two Cities, a book written by Charles Dickens in 1859, describes the situation of France and the French Revolution. At the end of Chapter Six, Dr. Manette, Lucie Manette, Charles Darnay, Sydney Carton, and Miss Pross are at a Tea Party. A turbulent storm occurs and incites an eerie mood within the characters. Charles Darnay starts telling a story about a paper he found. After telling the story, Dr. Manette begins to feel ill. Following this is a section which contains multiple literary elements. In Chapter Six, Dickens utilizes descriptive literary devices, such as imagery, personification, and anaphora, to foretell the French Revolution and set the mood of the passage. The use of suspenseful imagery allows for a descriptive foreshadow of the French Revolution. At the end of the chapter, Dickens compares people to the storm by showing â€Å"a crowd of people with its rush and roar, bearing down upon them too† (109). The Third Estate is depicted as rowdy and very thundering by means of their rush and roar. If the people linger to this extent for a Revolution, this rowdiness can cause a massive war. Soon enough there was â€Å"a great hurry in the streets, people speeding away to get shelter before the storm broke† (107). The storm, being synonymous with the Revolution, will cause a great hurry to the Third Estate due to their unpreparedness. Civilians, speeding away, try to get to shelter before the revolution starts to become too brutal. In the night a â€Å"storm of thunderShow MoreRelatedTale of Two Cities4458 Words   |  18 Pagess Tale of Two Cities – Study Guide Questions 2008 Use these over the course of your reading. They are very helpful if you use them!! Book I: Recalled to Life Book I, Chapter 1: The Period 1. What is the chronological setting of this opening chapter? What clues enable us to determine The Period? 2. How does Dickens indicate the severity of social conditions in both France and England? 3. Who is the king with a large jaw and a queen with a plain face? 4. How does DickensRead MoreANALIZ TEXT INTERPRETATION AND ANALYSIS28843 Words   |  116 Pagesopposition between man and man (between the protagonist and a human adversary, the antagonist), as, for example, in most detective fiction. Internal conflict, on the other hand, is confined to the protagonist. In this case, the opposition is between two or more elements within the protagonist’s own character, as in Joseph Conrad’s â€Å"Heart of Darkness†, when Kurtz struggles (and fails) to subdue the savage instincts concealed beneath his civilized English veneer. Most plots, it should be noted, containRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagesmaking them more easily available, originated with Mikel Dufrenne, Professor at the University of Paris-Nanterre and editor of the series in which this work was published in French. He has my very warm gratitude. C . M. Cannes August 1967 here. On two or three definite and important points, this text no longer corresponds to the present state of the problems it confronts. I have taken this opportunity to clarify it and place it in perspective by means of footnotes, for the method and the structureRead MoreOrganisational Theory230255 Words   |  922 Pagesorganization culture Creating a culture that gives meaning to work Developing understanding of culture Developing a ‘practical theory’ of organizational culture The vehicles of culture The processes of the communication of culture The ‘heart of culture’ A tale of two cultures How neo-modernist organization theory develops challenges in the design of organizations The processual perspective Design and development Conclusions: does neo-modernist organization theory exercise challenges for new visions of the organization